Instagram @lediableacinq // @ripon.trad

Grumpy - The Whale (ft. D.A. Crimson)

https://youtube.com/@d.a.crimson

https://youtube.com/@grumpyismyleastfavoriteband

3 piece Glasgow band

Instagram @olliemaemusic

my first contribution is truly one of the most BEAUTIFUL songs i’ve ever heard and doesn’t even have 300 views on the vid which is criminal. basically heaven to my ears

Ashvind Ramani

I'm feeling some heavy Portishead vibes from this

https://youtu.be/C77c1LcH9_c

DOLOURS - I Am the Dog

https://youtube.com/@dolourslive

I love that synth alongside the guitar tone

https://youtu.be/6v8ioZQcSGw?is=YENqiyR6FK9dXwH0

A young boy in Argentina was helped out when local street-performing band Ultimátum made a semi-viral hit on the spot to find his father, Eduardo.

The song and the video were made by myself. To make the video I corrupt video signals and record the results on an old CRT TV.

Some modern Irish folk music for you.

Forgive me if this has been posted before.

https://youtu.be/PeVP_tBLkNU

Yes Ma'am - "Tell Me"

https://yesmaam.bandcamp.com/music

Dawn is a song I made a while ago for uni.

I made and filmed the music video myself.

Hope you enjoy!

Hi everyone,

I’ve just released Plexus, an 85-minute experimental album I spent a long time building in near-total isolation, both physically and creatively. I wanted to share it here because I think people in this community might appreciate the process behind it as much as the music itself.

The core idea was to create a world that felt like Y2K technology colliding with nature, memory, and dystopia. Something like a lost future. A digital civilization decaying slowly while plants grow through it.

I gave myself a rule during production: minimal setup, maximum imagination. I wanted to see how far I could go without relying on expensive tools, presets, trends, or obvious references. No chasing algorithms, no trying to sound current, no copying scenes. Just a very clear atmosphere in my head that I tried to translate into sound.

Some examples:

• The very first sound on the album (opening track) is a contact lens played like people sometimes play a blade of grass between their fingers and blow through it. It created a strange distant whistle, almost like a flute.

• I made glitch percussion by scraping the antenna of a 90s alarm clock radio against a jack cable while recording into my interface.

• I used the Nokia 3310 ringtone composer as a melodic source.

• One track includes rain I recorded while in Aokigahara.

• Another was intentionally mastered through a PlayStation 2 with reduced bitrate for a harsher early-digital texture.

• Sea sounds on the closing track were not field recordings, but synthesized on a Behringer Model 15.

• A track called Platform 16 was timed to match the length of a real train platform in Florence. If you walk it at the BPM of the track, you reach the end as the song finishes.

Emotionally, the album came from a mix of fascination and grief. I’ve always been obsessed with the promise of the late 90s / early 2000s future: strange interfaces, primitive digital optimism, ugly-beautiful hardware, weird public spaces, emerging internet culture. It felt like humanity was heading somewhere bizarre but alive.

Instead, a lot of that became surveillance, addiction, sterile platforms, anxiety, and flattened culture.

So Plexus became my attempt to imagine another branch of that timeline:

A technoprimitivist Y2K ecosystem where broken machines become instruments, glitches become rhythm, and obsolete technology gets reclaimed by organic life.

It’s not an album made for singles or quick consumption. It was made to be heard front-to-back, with headphones or in a place where you can actually disappear into it for a while.

If any of this sounds interesting, I’d genuinely love to know what you think.

Thanks for reading.

Free Bandcamp Download Codes: https://dlcm.app/quadratox/plexus

Bandcamp: https://quadratox.bandcamp.com/album/plexus

Spotify: https://open.spotify.com/album/1sQtKByQcTvcSbyigrYeXy